Office: Seton 516
BA (English and Philosophy) Trent
MA (English) Western
PhD (English) Western
Teaching and Research Interests
Romanticism, William Blake, the long nineteenth century, drama and performance, Shakespeare, Early Modernism, queer theory, pop culture, as well as identity, action, gender, and sexuality
Blake’s Drama: Theatre, Performance, and Identity in the Illuminated Books. Palgrave Macmillan, 2014.
Co-editor (with Angela Esterhammer and Patrick Vincent), Romanticism, Rousseau, Switzerland: New Prospects. Palgrave Macmillan, 2015.
Journals and Journal Issues
Co-editor (with Patricia Pulham), Victoriographies: A Journal of Nineteenth-Century Writing, 1790-1914. Edinburgh University Press, January 2014-present. [three issues per year]
Co-editor (with Christa Schönfelder, Christian Villiger, and Reto Zöllner), Zeitgenossenschaft/Le Contemporain/Contemporaneity. Variations: Literaturzeitschrift der Universität Zürich, vol. 19, 2011.
Chapters in Books and Articles
“Teaching Blake’s Illuminated Books Performatively, or How to Do (Dramatic) Things with Blake.” Teaching Romanticism XXVI: Drama, part 2 (2018), edited by Dana Van Kooy as part of the Teaching Romanticism series in Rom
“Apocalyptic Visions, Heroism, and Intersections of the Human and ‘the Not Human’ in Blake’s Milton.” Beastly Blake. Edited by Helen P. Bruder and Tristanne Connolly, Palgrave Macmillan, 2018, pp. 111-33.
“Transcendentalism, Romanticism, Transatlanticism.” Handbook of Transatlantic North American Studies. Edited by Julia Straub, de Gruyter, 2016, pp. 59-78.
“Blake and the European (Pre)History of Melodrama: Beyond the Borders of Time and Stage.” British Romanticism in European Perspective: Into the Eurozone. Edited by Steve Clark and Tristanne Connolly, Palgrave Macmillan, 2015, pp. 193-209.
“Manfred, Freedom, and the Swiss Alps: The Transformation of the Byronic Hero.” Romanticism, Rousseau, Switzerland: New Prospects. Edited by Angela Esterhammer, Diane Piccitto, and Patrick Vincent, Palgrave Macmillan, 2015, pp. 168-82.
“1793 and the Aftermath of the French Revolution.” BRANCH: Britain, Representation, and Nineteenth-Century History. Edited by Dino Franco Felluga, extension of Romanticism and Victorianism on the Net, 2012, web, <http://www.branchcollective.org/>.
“Reclaiming ‘the Grandeur of Inspiration’: Authenticity, Repetition and Parody in William Blake’s Milton.” Paradoxes of Authenticity: Studies on a Critical Concept. Edited by Julia Straub, Transcript, 2012, pp. 243-62.
“1793.” In Introduction: “Jahrgänge: Versuche über historische Gleichzeitigkeit” [Years: Experiments on His
torical Simultaneity]. Zeitgenossenschaft/Le Contemporain/ Contemporaneity. Variations: Literaturzeitschrift der Universität Zürich, vol. 19, 2011, pp. 18-21.
Review of Mary A. Favret’s War at a Distance: Romanticism and the Making of Modern Wartime. Variations: Literaturzeitschrift der Universität Zürich vol. 19, 2011, pp. 307-08.
Review of Celestine Woo’s Romantic Actors and Bardolatry: Performing Shakespeare from Garrick to Kean. Variations: Literaturzeitschrift der Universität Zürich vol. 17, 2009, pp. 251-53.
Review of Translators, Interpreters, Mediators: Women Writers 1700–1900, edited by Gillian E. Dow. Variations: Literaturzeitschrift der Universität Zürich vol. 16, 2008, pp. 253-55.